The Team


MICHELE BUCK
Joint Managing Director


Before establishing Mammoth Screen with Damien Timmer in 2007, Michele was Controller of Drama at ITV Productions for 6 years, with credits including WILLIAM & MARY, HOUSEWIFE 49, LEWIS, Agatha Christie's MARPLE and POIROT, WALK AWAY AND I STUMBLE, THE LAST DETECTIVE, THE HISTORY OF MR POLLY, FAMILY and NIGHT AND DAY for ITV, the multi award winning SEX TRAFFIC for Channel 4, and BALLET SHOES, DRACULA and CASANOVA (with Red Productions) for the BBC. Prior to this Controller of Drama at United Productions for 4 years, working on Alan Bleasdale's OLIVER TWIST, Emmy Winner and 3 times Emmy nominated HORNBLOWER with A&E Networks, WHERE THE HEART IS, WITHOUT MOTIVE, THE TURN OF THE SCREW, IN THE NAME OF LOVE, Peter Kosminsky's INNOCENTS for Channel 4 and HEARTS AND BONES for BBC 1.

Michele started at Thames Television, then moving to Euston Films and then Central Films where she produced BOON, GONE TO THE DOGS and PEAK PRACTICE. 

Michele continues to executive produce LEWIS, MARPLE and POIROT for ITV STUDIOS, and Bill Gallagher's reinvention of THE PRISONER for AMC / ITV.

Contact Details:  michele@mammothscreen.com

 

DAMIEN TIMMER
Joint Managing Director


Damien established Mammoth with Michele Buck in 2007, developing projects including LOST IN AUSTEN for ITV1. Before this he executive produced Tony Grounds' A CLASS APART (Paloma Productions) for BBC1. 

For 5 years Damien was Head of Drama for ITV Productions, overseeing shows including Victoria Wood's HOUSEWIFE 49, LEWIS, AGATHA CHRISTIE'S MARPLE and POIROT, THE HISTORY OF MR POLLY, WALK AWAY AND I STUMBLE, JERICHO, IF I HAD YOU, THE BRIEF, LONDON'S BURNING, ME AND MRS JONES and NIGHT AND DAY for ITV, and BALLET SHOES, DRACULA and Russell T Davies' CASANOVA (with Red Productions) for the BBC.

Damien worked at United Productions for 3 years as Executive Producer on shows including HEARTS AND BONES for BBC1 and WHERE THE HEART IS and TOUCHING EVIL for ITV.

Before this Damien worked at Central Films and Carlton for four years, producing PEAK PRACTICE, developing projects including FRENCHMAN'S CREEK, HEAT OF THE SUN and THE UNKNOWN SOLDIER and script editing CADFAEL, KAVANAGH QC and INSPECTOR MORSE.

After graduating from Oxford University his first TV job was on cult Australian soap opera E STREET.

Damien continues to executive produce LEWIS, MISS MARPLE and POIROT for ITV STUDIOS, and is currently overseeing the reinvention of THE PRISONER for AMC / ITV.
 
Contact details: damien@mammothscreen.com

 

JON WILLIAMS
Director of Production & Finance


Jon joined Mammoth Screen in 2007. Prior to this he was Production Executive at ITV Productions, overseeing MARPLE, WILLIAM AND MARY, THE LAST DETECTIVE, WHATEVER LOVE MEANS, WALK AWAY AND I STUMBLE, THE BRIEF, DRACULA and THE HISTORY OF MR POLLY.

Before this he was Finance Manager for Granada Media working on PRIME SUSPECT, SEX TRAFFIC, COLD FEET, LIFE BEGINS, POIROT, DR ZHIVAGO, ISLAND AT WAR, HENRY VIII and THE FORSYTE SAGA.

A Chartered Management Accountant by training, Jon cut his production teeth at United Productions working as management accountant and then production accountant on HEARTS AND BONES and WHERE THE HEART IS.

Contact details: jon@mammothscreen.com

 

REBECCA KEANE
Creative Director


Rebecca has worked at Mammoth since its launch, overseeing the development of projects including LOST IN AUSTEN and MARGOT. As Creative Director she works closely with Luke Franklin across the Mammoth development slate. She's also currently executive producing THE PRISONER for AMC / ITV Productions.

Before joining Mammoth, Rebecca was an executive producer at ITV Productions, working on a wide range of shows including BALLET SHOES, WHATEVER LOVE MEANS, DRACULA, THE HISTORY OF MR POLLY, WALK AWAY AND I STUMBLE, JERICHO, FALLEN, DADDY'S GIRL and WHERE THE HEART IS.

Rebecca produced CLOSE AND TRUE for United Productions and was script executive on IN THE NAME OF LOVE, TOUCHING EVIL and AN UNSUITABLE JOB FOR A WOMAN. Before this she script edited PEAK PRACTICE for Carlton TV. She studied SPS at Cambridge University, abandoning a PhD to work in TV.

Contact details: rebecca@mammothscreen.com

 

LUKE FRANKLIN
Head of Development


Luke joined Mammoth as Head of Development in July 2007, and script edited LOST IN AUSTEN.

Prior to that, he was a script editor at ITV Productions, working on the first series of LEWIS, WALK AWAY AND I STUMBLE, THE HISTORY OF MR POLLY and WHERE THE HEART IS.

After reading English at Cambridge University, Luke spent two years as a researcher in BBC documentaries and factual (including a stint on WHAT NOT TO WEAR), whilst also working as a freelance script reader for the BBC, the
Soho and Gate Theatres.

Contact details: luke@mammothscreen.com

 
 

BRENDAN MULLIN
Script Editor


Brendan is the latest recruit to the team having joined in January 2010. He is a Script Editor based in Mammoth Screen’s new Belfast office.

Prior to joining Mammoth Screen Brendan produced the short film Messages for Maria in 2007 through NI Screen. It was selected as a part of the Edinburgh Film Festival’s Digital Generations and was highly commended at the Belfast International Film Festival. Recently, Brendan produced the short film Separations Agency funded by the Irish Film Board. It premiered at the Galway Film Festival in 2009.

Brendan has also worked for several NI based companies including Inferno Productions and Lucid Dreams Ltd. He is a Film Studies graduate from Queens University, Belfast.

Contact details: brendan@mammothscreen.com

 

JENNIE SCANLON
Script Executive


Jennie joined Mammoth as script editor, most recently working on WUTHERING HEIGHTS. She also script edits Agatha Christie's POIROT and MARPLE.

Prior to this Jennie was assistant script editor on MOVING WALLPAPER and ECHO BEACH (Kudos/ITV), development researcher at Touch Films, and worked in production on PERSUASION (Clerkenwell/ITV) and DRACULA (Granada/BBC).

Jennie studied Drama at Trinity College, Dublin before joining The Abbey Theatre as artistic officer from 2003 to 2005. Jennie's credits as an assistant director include A Doll's House (Abbey Theatre), The Wild Duck (Soulpepper Theatre Toronto) and A Flea in Her Ear (Milwaukee Repertory Theatre).

Contact details: jennie@mammothscreen.com

 

TOM WINCHESTER
Script Editor


Tom is a script editor and has worked for Mammoth on MARGOT and BOUQUET OF BARBED WIRE. He also script edits LEWIS. Prior to this Tom was assistant script editor on the second series of SECRET DIARY OF A CALL GIRL, and development coordinator at Tiger Aspect where he worked on shows including the BAFTA nominated COMING DOWN THE MOUNTAIN. After reading English at Oxford University, Tom’s first job in the industry was Producer’s Assistant on the winner of the 2005 Academy Award for Best Foreign Language Film, TSOTSI.


Contact details:  tom@mammothscreen.com

 

ANNZOE BRITTON
Executive Assistant


Annzoe joined Mammoth in Summer 2007. Previously she had worked with Michele and Damien for over 2 years at ITV Productions Drama.

Prior to this Annzoe worked as a PA/Co-ordinator at various record companies, artist management companies and a model agency before falling into TV production.

Contact details:  annzoe@mammothscreen.com

 

MICHAEL RAY
Runner

Michael joined Mammoth in August 2008 having previously worked as a runner at Carnival Film & Television.
Michael took a degree in Television Production at Bournemouth University.


Contact details: michael@mammothscreen.com
 

LEGAL & BUSINESS AFFAIRS

If you have a legal or business affairs query then feel free to contact Damien, Michele or Jon. However, you are also very welcome to e-mail James Penny or any of the team at Industry Media, our not-quite-in-house-but-practically-next-door business affairs people.
 
Contact details:
jamespenny@industrymedia.tv
 
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