 |
 |
|
The Team
MICHELE BUCK
Joint Managing Director
Before establishing Mammoth Screen with Damien Timmer in 2007, Michele was Controller of Drama at ITV Productions for 6 years, with credits including WILLIAM & MARY, HOUSEWIFE 49, LEWIS, Agatha Christie's MARPLE and POIROT, WALK AWAY AND I STUMBLE, THE LAST DETECTIVE, THE HISTORY OF MR POLLY, FAMILY and NIGHT AND DAY for ITV, the multi award winning SEX TRAFFIC for Channel 4, and BALLET SHOES, DRACULA and CASANOVA (with Red Productions) for the BBC. Prior to this Controller of Drama at United Productions for 4 years, working on Alan Bleasdale's OLIVER TWIST, Emmy Winner and 3 times Emmy nominated HORNBLOWER with A&E Networks, WHERE THE HEART IS, WITHOUT MOTIVE, THE TURN OF THE SCREW, IN THE NAME OF LOVE, Peter Kosminsky's INNOCENTS for Channel 4 and HEARTS AND BONES for BBC 1.
Michele started at Thames Television, then moving to Euston Films and then Central Films where she produced BOON, GONE TO THE DOGS and PEAK PRACTICE.
Michele continues to executive produce LEWIS, MARPLE and POIROT for ITV STUDIOS, and Bill Gallagher's reinvention of THE PRISONER for AMC / ITV.
Contact Details: michele@mammothscreen.com |
|
| |
 |
DAMIEN TIMMER
Joint Managing Director
Damien established Mammoth with Michele Buck in 2007, developing projects including LOST IN AUSTEN for ITV1. Before this he executive produced Tony Grounds' A CLASS APART (Paloma Productions) for BBC1.
For 5 years Damien was Head of Drama for ITV Productions, overseeing shows including Victoria Wood's HOUSEWIFE 49, LEWIS, AGATHA CHRISTIE'S MARPLE and POIROT, THE HISTORY OF MR POLLY, WALK AWAY AND I STUMBLE, JERICHO, IF I HAD YOU, THE BRIEF, LONDON'S BURNING, ME AND MRS JONES and NIGHT AND DAY for ITV, and BALLET SHOES, DRACULA and Russell T Davies' CASANOVA (with Red Productions) for the BBC.
Damien worked at United Productions for 3 years as Executive Producer on shows including HEARTS AND BONES for BBC1 and WHERE THE HEART IS and TOUCHING EVIL for ITV.
Before this Damien worked at Central Films and Carlton for four years, producing PEAK PRACTICE, developing projects including FRENCHMAN'S CREEK, HEAT OF THE SUN and THE UNKNOWN SOLDIER and script editing CADFAEL, KAVANAGH QC and INSPECTOR MORSE.
After graduating from Oxford University his first TV job was on cult Australian soap opera E STREET.
Damien continues to executive produce LEWIS, MISS MARPLE and
POIROT for ITV STUDIOS, and is currently overseeing the reinvention of THE PRISONER for AMC / ITV.
Contact details: damien@mammothscreen.com |
|
| |
 |
JON WILLIAMS
Director of Production & Finance
Jon joined Mammoth Screen in 2007. Prior to this he was Production
Executive at ITV Productions, overseeing MARPLE, WILLIAM AND MARY, THE
LAST DETECTIVE, WHATEVER LOVE MEANS, WALK AWAY AND I STUMBLE, THE
BRIEF, DRACULA and THE HISTORY OF MR POLLY.
Before this he was Finance Manager for Granada Media working on PRIME
SUSPECT, SEX TRAFFIC, COLD FEET, LIFE BEGINS, POIROT, DR ZHIVAGO, ISLAND
AT WAR, HENRY VIII and THE FORSYTE SAGA.
A Chartered Management Accountant by training, Jon cut his production teeth
at United Productions working as management accountant and then production
accountant on HEARTS AND BONES and WHERE THE HEART IS.
Contact details: jon@mammothscreen.com |
|
| |
 |
REBECCA KEANE
Creative Director
Rebecca has worked at Mammoth since its launch, overseeing the development of projects including LOST IN AUSTEN and MARGOT. As Creative Director she works closely with Luke Franklin
across the Mammoth development slate. She's also currently executive
producing THE PRISONER for AMC / ITV Productions.
Before joining Mammoth, Rebecca was an executive producer at ITV
Productions, working on a wide range of shows including BALLET SHOES,
WHATEVER LOVE MEANS, DRACULA, THE HISTORY OF MR POLLY, WALK AWAY AND I
STUMBLE, JERICHO, FALLEN, DADDY'S GIRL and WHERE THE HEART IS.
Rebecca produced CLOSE AND TRUE for United Productions and was script
executive on IN THE NAME OF LOVE, TOUCHING EVIL and AN UNSUITABLE JOB FOR A
WOMAN. Before this she script edited PEAK PRACTICE for Carlton TV. She
studied SPS at Cambridge University, abandoning a PhD to work in TV.
Contact details: rebecca@mammothscreen.com |
|
| |
 |
LUKE FRANKLIN
Head of Development
Luke joined Mammoth as Head of Development in July 2007, and script edited
LOST IN AUSTEN.
Prior to that, he was a script editor at ITV Productions, working on the
first series of LEWIS, WALK AWAY AND I STUMBLE, THE HISTORY OF MR POLLY and
WHERE THE HEART IS.
After reading English at Cambridge University, Luke spent two years as a
researcher in BBC documentaries and factual (including a stint on WHAT NOT
TO WEAR), whilst also working as a freelance script reader for the BBC, the
Soho and Gate Theatres.
Contact details: luke@mammothscreen.com |
| |
|
| |
 |
BRENDAN MULLIN
Script Editor
Brendan is the latest recruit to the team having joined in January 2010. He is a Script Editor based in Mammoth Screen’s new Belfast office.
Prior to joining Mammoth Screen Brendan produced the short film Messages for Maria in 2007 through NI Screen. It was selected as a part of the Edinburgh
Film Festival’s Digital Generations and was highly commended at the Belfast International Film Festival. Recently, Brendan produced the short film Separations
Agency funded by the Irish Film Board. It premiered at the Galway Film Festival in 2009.
Brendan has also worked for several NI based companies including Inferno Productions and Lucid Dreams Ltd.
He is a Film Studies graduate from Queens University, Belfast.
Contact details: brendan@mammothscreen.com |
| |
|
 |
JENNIE SCANLON
Script Executive
Jennie joined Mammoth as script editor, most recently working on WUTHERING HEIGHTS. She also script edits Agatha Christie's POIROT and MARPLE.
Prior to this Jennie was assistant script editor on MOVING WALLPAPER and ECHO BEACH (Kudos/ITV), development researcher at Touch Films,
and worked in production on PERSUASION (Clerkenwell/ITV) and DRACULA (Granada/BBC).
Jennie studied Drama at Trinity College, Dublin before joining The Abbey Theatre as artistic officer from 2003 to 2005.
Jennie's credits as an assistant director include A Doll's House (Abbey Theatre), The Wild Duck (Soulpepper Theatre Toronto)
and A Flea in Her Ear (Milwaukee Repertory Theatre).
Contact details: jennie@mammothscreen.com |
| |
|
 |
TOM WINCHESTER
Script Editor
Tom is a script editor and has worked for Mammoth on
MARGOT and BOUQUET OF BARBED WIRE. He also script edits
LEWIS. Prior to this Tom was assistant script editor on
the second series of SECRET DIARY OF A CALL GIRL, and
development coordinator at Tiger Aspect where he worked
on shows including the BAFTA nominated COMING DOWN THE
MOUNTAIN. After reading English at Oxford University,
Tom’s first job in the industry was Producer’s Assistant
on the winner of the 2005 Academy Award for Best Foreign
Language Film, TSOTSI.
Contact details: tom@mammothscreen.com |
| |
|
 |
ANNZOE BRITTON
Executive Assistant
Annzoe joined Mammoth in Summer 2007. Previously she had worked with Michele
and Damien for over 2 years at ITV Productions Drama.
Prior to this Annzoe worked as a PA/Co-ordinator at various record
companies, artist management companies and a model agency before falling
into TV production.
Contact details:
annzoe@mammothscreen.com |
| |
|
 |
MICHAEL RAY
Runner
Michael joined Mammoth in August 2008 having previously worked as a runner
at Carnival Film & Television.
Michael took a degree in Television Production at Bournemouth University.
Contact details: michael@mammothscreen.com |
|
| |
 |
LEGAL & BUSINESS AFFAIRS
If you have a legal or business affairs query then feel free to contact
Damien, Michele or Jon. However, you are also very welcome to e-mail James
Penny or any of the team at Industry Media, our not-quite-in-house-but-practically-next-door business affairs people.
Contact details:
jamespenny@industrymedia.tv |
|
| |
 |
| Home : Company Info : The Team : TV Productions : Contact Us |
 |
|
|
 |
|